Three plans. One question.

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No. My Files is included with every plan, including the free trial. Processing a video sitting on your computer never counts against your creator limit.

Every plan covers all four platforms. Solo follows 3 creators and gives you 100 approved clips a month. Studio raises that to 15 creators and 500 clips, and adds the three things a clip page actually needs: uploading to YouTube, sports mode and subtitle translation. Agency is the same product at volume — 50 creators, 2000 clips, 4K export where the source allows it, and priority processing and support.

Subtitles, the subtitle editor, automatic clip detection, the review queue and My Files are on every paid plan.

3 on Solo, 15 on Studio, 50 on Agency. On Studio and Agency that number is a single pooled total across Twitch, Kick, YouTube and TikTok — spend it however you like. Tracking a creator and recording one are different limits: you can follow fifteen channels and have several of them recording at once.

It counts the clips you approve, not the ones Jolnova produces. Everything lands in the review queue first and a clip you reject costs you nothing. There is no daily ceiling: if you want to spend the whole month in one day, you can.

Yes, on every paid plan. Every subtitle line is listed with its timecode and stays editable: correct a misheard word, rewrite the sentence, or delete a line you do not want on screen. Timings stay exactly as transcribed. Saving re-renders the clip once from a clean master, so correcting it twice does not stack quality loss.

A second detector built for match broadcasts, so goals, penalties and red cards come out as clips. It works on full matches and on the highlight packages leagues publish on their own channels. Studio and Agency.

It rewrites the burned-in subtitles of an approved clip in another language — English, Turkish, German, French or Spanish — and re-renders the clip once from the clean master. Useful when the audience you want does not speak the language of the stream. Studio and Agency.

The platform name and channel line Jolnova draws on the clip, such as the platform name and the channel handle. Studio and Agency can hide it. Because Jolnova draws it rather than the source, removing it leaves the picture untouched.

It lets you pull the start and end of a clip outwards, taken from the original recording rather than from the cut file. Useful when the setup to a joke sits just outside the detected moment. ±5 sec on Solo, ±10 sec on Studio and Agency.

Not on a paid plan — Solo, Studio and Agency all process as many links and local videos as you give them. The free trial is the exception: 2 links in total, not per month, because the trial only lasts three days and a monthly renewal would never arrive.

Only on Agency, and only when the source is already 4K — a YouTube video or a recording of your own. Twitch and Kick broadcast at 1080p at most, so a clip cut from a live stream comes out at 1080p whatever your plan says. The plan sets a ceiling; it cannot add resolution that was never in the video.

Jolnova analyses the whole recording and cuts out the moments worth watching as candidates. Each one is sent to the review queue, where you approve or reject it, and detection sensitivity is a setting you control — Few, Balanced or Many.

The analysis runs on your own computer: your video is never uploaded and detection costs nothing per clip.

A live recording uses roughly 5.6 GB per stream per hour, so four at once is about 22 GB an hour. The default cleanup budget is 20 GB, which four simultaneous recordings reach in around 53 minutes.

You can raise or lower that budget in Settings. When it is reached nothing is dropped — further recordings are queued until cleanup frees up space.

Yes, on every paid plan. It is a switch in Settings rather than a paid upgrade. During the free trial it stays on.

Yes — 3 days, up to 50 clips in total and 2 YouTube links in total, at 720p and with the Jolnova watermark on. It tracks 2 creators and records one stream at a time. It exists so you can see real output from your own sources before paying anything.

Whichever runs out first — the three days or the fifty clips — stops new clip production. Your review queue and clip library are files on your own computer, so they stay where they are and can still be approved, edited and exported. Running out of YouTube links only closes that one route; clips from live sources and from your own files keep coming until the days or the clip cap end the trial.

Yes. Plan changes will be available from your account area once billing is connected.

Yes, and there is no separate API key to buy or configure. Worth knowing what runs where: clip detection and transcription happen on your own computer and cost nothing per clip. The only step that leaves your machine is the writing one — the transcript and a short chat summary are sent off so the title of a clip you approved can be written.

Only if you set it up. Connect a YouTube account on the Sharing page, approve a clip and pick a day and time — it goes out then. Nothing is uploaded that you did not approve and schedule, and the file sent is the clip as produced, with no re-encoding.